Q) How long do I have to wait to receive the mix?
A) Usually 7 to 14 days depends on my schedule and the type of the mix.
Q) What's the difference between mixtape mix and radio/album mix?
A) Mixtape mix is less detailed, Includes vocals mixing only. EP/Album/Radio is high quality mix includes mixing of vocals, instruments, automation etc.
Q) I need a beat, can you produce something for me?
A) Of course I can.
Q) How much do you charge?
A) All the pricing info you can find HERE.
Q) If I record at home and send you files will you mix them?
A) Yes, as long as the files are correctly recorded and consolidated.
Q) What are consolidated files (trackouts)? How do I consolidate files?
A) Google it, depends on the software you use, the way of consolidation might vary.
Q) When can I book a session?
A) I need a notice 7 days ahead, however it really depends on my schedule, I might be free next day, just give me a shout.
Q) I have a song I want to record and I need to have it ready asap, can you help me out?
A) Of course that's my job, instant mix costs more, however the anticipation time is 1-3 days.
Q) What is the difference between mixing and mastering version?
A) Click HERE and read.
Q) Your mastering sounds good, why would I master my song at mastering studio?
A) I master projects, no problem. When it comes to album/radio material I suggest mastering studio. Mastering engineer will do better job than me, however if you have lower budget I'll do the work.
Q) What is difference between MP3 and WAV?
A) Simple answer: quality.
Q) Ok, Cool I'll convert MP3 to WAV no problem?
A) I can do it myself, besides converting MP3 to WAV doesn't mean the file is gonna change the quality miraculously.
Q) Would you record, mix and master my songs for free?
A) And would you work for free? 2 letter answer: "No" - Lets change the scenario, imagine you work the whole week and don't receive a paycheque.
Q) Would you invest in my music?
A) If you aren't willing to invest in yourself I really doubt anybody will. If you treat your music career seriously you should know what the business is about.
A) Usually 7 to 14 days depends on my schedule and the type of the mix.
Q) What's the difference between mixtape mix and radio/album mix?
A) Mixtape mix is less detailed, Includes vocals mixing only. EP/Album/Radio is high quality mix includes mixing of vocals, instruments, automation etc.
Q) I need a beat, can you produce something for me?
A) Of course I can.
Q) How much do you charge?
A) All the pricing info you can find HERE.
Q) If I record at home and send you files will you mix them?
A) Yes, as long as the files are correctly recorded and consolidated.
Q) What are consolidated files (trackouts)? How do I consolidate files?
A) Google it, depends on the software you use, the way of consolidation might vary.
Q) When can I book a session?
A) I need a notice 7 days ahead, however it really depends on my schedule, I might be free next day, just give me a shout.
Q) I have a song I want to record and I need to have it ready asap, can you help me out?
A) Of course that's my job, instant mix costs more, however the anticipation time is 1-3 days.
Q) What is the difference between mixing and mastering version?
A) Click HERE and read.
Q) Your mastering sounds good, why would I master my song at mastering studio?
A) I master projects, no problem. When it comes to album/radio material I suggest mastering studio. Mastering engineer will do better job than me, however if you have lower budget I'll do the work.
Q) What is difference between MP3 and WAV?
A) Simple answer: quality.
Q) Ok, Cool I'll convert MP3 to WAV no problem?
A) I can do it myself, besides converting MP3 to WAV doesn't mean the file is gonna change the quality miraculously.
Q) Would you record, mix and master my songs for free?
A) And would you work for free? 2 letter answer: "No" - Lets change the scenario, imagine you work the whole week and don't receive a paycheque.
Q) Would you invest in my music?
A) If you aren't willing to invest in yourself I really doubt anybody will. If you treat your music career seriously you should know what the business is about.
8 Ways to Piss Off Your Studio Engineer
1. Canceling sessions on the day you're due to record:
This really pisses studios off because your cancellation prevented them from booking a paying customer. Be considerate. Call the studio at least a day before if something comes up, and you know you won’t be able to make the session. Some studios make artists pay an non-refundable down payment to book a time slot because of this, but it still doesn't equal up to the cost of a full session. Don’t get a reputation for being a flake. They might flag you as a customer that’s not dependable.
2. Treating the studio session like a house party:
When you’re in a studio session, you should be getting down to business. Time is money. The only people that should be there, are people that are contributing to the recording. Too many artists bring a large, annoying entourage to the studio, partying and bullshitin’ when they should be focused on being productive. These extra people usually don’t appreciate the value of the session and ask the engineer a lot a annoying questions like, “what that button do?” Don’t be a show off. Leave the crew at the crib and invite them to the release party.
3. Not backing up your music:
Studio engineers are not responsible for archiving your music. If they do that’s a bonus, and you should be grateful. But it’s not their job. You should bring a hard drive, save your studio sessions on it, and keep it in a safe place. Artists are always calling studios looking for some songs they recorded 3 years ago, then get mad when the studio doesn't have it. Studios go out of business, hard drives crash, stuff gets caught on fire, people break in and steal things…You get the picture? Anything can happen if your music is kept in one place. Always get a backup and you’ll never have to worry about your valuable music being lost.
4. Bad audio files:
This is usually a problem when the producer who made your beat, gives you session files that are all screwed up. These files may not be in sync with each other, be recorded too low in volume, or recorded too high. Either of these prevents your studio engineer from doing the best job he’s capable of. Taking the time to fix those problems eats up more studio time. This ends up costing you more money.
5. Being annoying during the mixdown session:
Some studio engineers don’t even want artists in the room when they’re mixing down music. Mixing can be a tedious process and usually takes a considerable amount of time to get right. Some artists can be bothersome when they are in the room during this process. It’s hard to tell what the mixdown will sound like until it is completely finished. So give the engineer a break and let him perform his craft, then critique when he’s done.
6. Not respecting the studio equipment:
People come into the studio and sometimes put their pizza and beer on top of valuable studio equipment. Stuff gets spilled and expensive electronics are ruined for good. This is a good way to mess up a relationship with an engineer and you can end up paying lots of money to replace what you broke.
7. Not having the money at the end of the studio recording:
Nothing pisses off a studio engineer more than staying up all night recording your music, only to have you tell him that you don’t have the money right now. This is a straight asshole move because the artist knows this before he does the session. This can get your music mysteriously erased or leaked. Don’t be a cheat. If you don’t have the money to pay, don’t waste anyone’s time.
8. Be Professional
If you want the engineer (or anyone else) to treat you and your music seriously be professional.
This really pisses studios off because your cancellation prevented them from booking a paying customer. Be considerate. Call the studio at least a day before if something comes up, and you know you won’t be able to make the session. Some studios make artists pay an non-refundable down payment to book a time slot because of this, but it still doesn't equal up to the cost of a full session. Don’t get a reputation for being a flake. They might flag you as a customer that’s not dependable.
2. Treating the studio session like a house party:
When you’re in a studio session, you should be getting down to business. Time is money. The only people that should be there, are people that are contributing to the recording. Too many artists bring a large, annoying entourage to the studio, partying and bullshitin’ when they should be focused on being productive. These extra people usually don’t appreciate the value of the session and ask the engineer a lot a annoying questions like, “what that button do?” Don’t be a show off. Leave the crew at the crib and invite them to the release party.
3. Not backing up your music:
Studio engineers are not responsible for archiving your music. If they do that’s a bonus, and you should be grateful. But it’s not their job. You should bring a hard drive, save your studio sessions on it, and keep it in a safe place. Artists are always calling studios looking for some songs they recorded 3 years ago, then get mad when the studio doesn't have it. Studios go out of business, hard drives crash, stuff gets caught on fire, people break in and steal things…You get the picture? Anything can happen if your music is kept in one place. Always get a backup and you’ll never have to worry about your valuable music being lost.
4. Bad audio files:
This is usually a problem when the producer who made your beat, gives you session files that are all screwed up. These files may not be in sync with each other, be recorded too low in volume, or recorded too high. Either of these prevents your studio engineer from doing the best job he’s capable of. Taking the time to fix those problems eats up more studio time. This ends up costing you more money.
5. Being annoying during the mixdown session:
Some studio engineers don’t even want artists in the room when they’re mixing down music. Mixing can be a tedious process and usually takes a considerable amount of time to get right. Some artists can be bothersome when they are in the room during this process. It’s hard to tell what the mixdown will sound like until it is completely finished. So give the engineer a break and let him perform his craft, then critique when he’s done.
6. Not respecting the studio equipment:
People come into the studio and sometimes put their pizza and beer on top of valuable studio equipment. Stuff gets spilled and expensive electronics are ruined for good. This is a good way to mess up a relationship with an engineer and you can end up paying lots of money to replace what you broke.
7. Not having the money at the end of the studio recording:
Nothing pisses off a studio engineer more than staying up all night recording your music, only to have you tell him that you don’t have the money right now. This is a straight asshole move because the artist knows this before he does the session. This can get your music mysteriously erased or leaked. Don’t be a cheat. If you don’t have the money to pay, don’t waste anyone’s time.
8. Be Professional
If you want the engineer (or anyone else) to treat you and your music seriously be professional.